No more no more slavery and cultural resistance in havana and new orleans daniel walker on amazoncom free shipping on qualifying offers walker history black voice foundation describes public performances specifically those of el dia de reyes festival in havana and the weekly activities in congo square in new orleans in the nineteenth century. This ambitious book looks at how people of african descent in two societies havana and new orleans in the nineteenth century created their own forms of cultural resistance to the slave regimes assault no more no more elucidates the economic social cultural and demographic operations at work in two cities and the efforts at cultural . Festival with the weekly slave celebrations of new orleanss congo square to demonstrate how urban slaves used cultural expression as a means of resistance celebrated on january 6 the catholic holy 1 walker and nystrom no more no more slavery and cultural resistance in havana and n published by scholarworksumass amherst 2005. Targeting slave society in nineteenth century havana cuba and new orleans louisiana this study examines mechanisms of social control directed at people of african descent and cultural resistance efforts embodied in public performances. No more no more crosses disciplinary boundaries as well elucidating the economic social cultural and demographic operations at work in two cities and the wide scale efforts at cultural resistance embodied in public performances no more no more slavery and cultural resistance in havana and new orleans no more no more slavery
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